Filipa Kinomoto

A producer before an artist

Filipa Kinomoto came to AI from the production side of advertising. By her own account she spent nearly a decade producing campaigns at McCann and Ogilvy for clients including Xbox, L'Oréal, Mastercard and Sky TV, and her work page lists post producer and executive producer credits on Ketel One, Bose AR and Malfy Gin^[1][2]. Her Behance account dates from January 2015^[33]. That background still shows: she signs off as an AI Artist & Creative Producer, and on many of her films she is credited for both^[3][24].

Where Kinomoto comes from, and whether it is a professional name, is not public, and this page does not guess. What is public is where she works: Lisbon^[3][33].

Fashion films on Midjourney and Luma, 2024

Her first AI uploads went up on YouTube on 14 August 2024, a run of fashion show concept visuals^[35]. The early shorts credit the same three-part kit: Midjourney for the stills, Luma AI for the motion and CapCut for the edit^[41]. The look arrived early too: glossy lips, graphic stripes, patent leather and saturated red, the pop-art fashion that still fronts her YouTube channel^[4][22].

On 23 October 2024 she posted the first of two English Garden 2054 Shorts, the first trip to an invented place she keeps going back to: an English garden of red flowers and parasols full of couture characters, chrome robots and the odd cheetah^[36][46]. It became KinomotoLand, with KinomotoLand 2054 in December 2024, Sunday's at KinomotoLand in February 2025 and KinomotoLand 2026 in May 2026, made with Midjourney v8 and Seedance 2^[4][23].

Concept ads, contests and festivals, 2025

Through the winter she made spec ads in the Curious Refuge mould: an AI concept commercial for Porsche on Midjourney and MiniMax, posted on 26 December 2024, is still her most watched long-form upload^[27]. In January 2025 she made NHA BAI À, a music video for Project Odyssey Season 2, with 9Cons.AI and Rit.AI, mostly in Kling^[28]. In May she made RUNWAY WAS THE ROOM, a vertical fashion film of white sculptural gowns and red-lit corridors, for NFFT 2025 in Tokyo^[26].

In July she and Bruno Lattes of 9cons.ai made a concept music video for Fatboy Slim for Common People Production Studio in the UK^[29]. Her short The Mask Within is titled for Art Basel Miami 2024^[30], and her work page lists AI-generated live screen visuals for the Black Eyed Peas' 2025 European tour, made through the agency Secret Level; we have found no third-party record of either^[2].

Lisbon Loras

On 26 June 2025 she started something bigger than a film. Lisbon Loras, styled AI + ART + LORE, opened with a meetup powered by Runway at RnA Studio in Lisbon: a screening of the GEN:48 winners, free Runway credits and 67 guests^[7]. The idea, in the community's own words, was a place for artists, filmmakers and creative people working with AI to meet, share what they were making and learn from each other, and RnA Studio was the first space to give it a home^[5].

Two months later The Dor Brothers headlined a MiniMax night that sold out at 192 guests^[8]. In October Lisbon Loras went outdoors for the first time, at Jardins do Bombarda, to screen Kavan the Kid's Echo Hunter films on a big screen in Europe for the first time, with an interview after^[9]. Since then it has run nights with Letz AI, MiniMax, Dreamina and Adobe, an outdoor cinema with MiniMax H3, and, on 30 July 2026, its first night abroad: London Loras^[13][12].

Because some things are better in person.

Lisbon Loras, About^[5]

Filipa and AI LIVE

Chris Branch met her at Adobe MAX in Los Angeles in October 2025^[15]. When he asked the AI LIVE WhatsApp group for new work in January 2026, she sent a piece, and it played on Ep. 106 on 29 January, the same day Lisbon Loras held its January night with Letz AI and Karim Youssef^[15][10]. Chris loved the style and the editing^[15].

On 30 April 2026 Chris Branch hosted the Lisbon Loras Dreamina Seedance Night, billed as Seedance's first stop in Europe, with talks from Stéphane Benini, Edmond Yang and The Dor Brothers^[11][38]. Three months later the two of them welcomed 205 people to The Drum Labs in Shoreditch for London Loras, co-produced with SILVERSIDE and Dreamina, where Dreamina showed Seedance 2.5 the day before it launched and Chris moderated both panels^[12][16].

A boss evening it was. And [Filipa] really did boss it. The event went off so well actually.

Chris Branch, AI LIVE Ep. 127^[16]

She still sends work in. On Ep. 132 the hosts played Spin Cycle by Visual Frisson, made with a version of MiniMax H3 fine-tuned for sound sync, which Filipa had sent from Lisbon^[17].

Luma, Runway and the agent era, 2026

In March 2026 she produced The Last Beer, two spec films for Luma's Dream Brief in which two strangers fight over the last Luma beer through a shop, a car park and a subway; one version turns superhuman, the other ends with a shared toast^[24][25]. She is credited as AI Artist & Producer alongside Jeffrey Limon, Simone Bocchino, Luca Ontino, Paola Merlotti and Celeste Zodo^[25]. It was an entry, not a listed finalist.

Her current series is RED RITE: oceans of glossy red roses, giant red-and-white toadstools, white poodle-like creatures, figures in red suits rising out of the flowerbeds and a veiled woman in black PVC under falling petals^[19]. In Luma Agents x RED RITE, a paid collaboration with Luma AI, she shows how it is made: she asks the agent to build a skill that takes eight Midjourney stills and turns them into three 30-second Seedance 2.5 stories, then watches, gives notes and refines while all three render at 1080p^[18].

On 13 October 2026 she released three commissioned films at once: Luma Agents x RED RITE, the Luma Agents Fashion Film, which its description says was selected by Luma and earned her a trip to San Francisco, and MISS ME?, a fashion film made for Runway to show Seedance 2.5 after its release on the platform^[18][20][21]. She also posted the reel of her Luma-made work that was shown at MIPCOM Cannes in October 2025^[22].

Her own site goes further: it lists representation by UTA, a speaker slot at MIPCOM Cannes 2025, Adobe MAX London 2025, a Gen AI Leader title from Adobe and features in Ad Age, WOW World, SHE IS AI and Stash^[1]. None of those could be confirmed independently for this page. The same site credits her as producer of The Future Is Here, the SILVERSIDE film for Lisbon Loras and Dreamina that opened London Loras^[2][12].

Writing it down: Kinomoto.Mag

Since November 2025 she has written Kinomoto.Mag on Medium, from Adobe MAX highlights to a review of Midjourney v8^[32]. Her ranking of 2025's best tools put MiniMax Hailuo 2.3 first for video, Nano Banana Pro first for images and Kive AI first for consistency, and called custom LoRA training the most powerful option with a steep learning curve^[31].

2025 was the year AI tools stopped being "interesting experiments" and became real production weapons.

Filipa Kinomoto, Kinomoto.Mag^[31]

What's next

On 13 November 2026 she is the first confirmed competitor in the AI Creative Challenge Lisbon at the Unicorn Stage in the Beato Innovation District, hosted by the Clube de Criativos de Portugal with Lisbon Loras as partner; Karim Youssef is on the jury and the audience votes as a sixth judge^[14]. The MC Filipe SJ, also listed there, is a different person^[14].